AXN:0246.GENERATIVE.🕔🌍🕕🐚🎬🌔
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snub-poemed.png (191,761 bytes · sha256 bc709b05ff5e18d5…)
THE WORK. "Snub-Poemed" is an image-borne concrete poem; this PNG is the poem, not an illustration of it.. Held as a durable local copy rather than a hotlink to the authorial blog. A work whose only manifestation is an image on a third-party surface is one deletion away from a lacuna — the same exposure the 2026-06-19 termination demonstrated.

"Snub-Poemed"

Lee Sharks · 2026-04-27 · Image-borne concrete poem
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Description

“Snub-Poemed” is an image-borne concrete poem in which letters form the face of Socrates, with the philosopher’s characteristic snub nose emerging from uneven typographic density. The companion study describes the face as initially appearing to be scattered textual noise and becoming visible through sustained attention. Language supplies not a caption but the material body of the figure. The deposited Markdown body does not contain the visual poem’s bytes. It contains only an empty image link to a remote Blogger-hosted asset. The record is therefore complete as an image-bearing reference only while that external asset remains available; it is not self-preserving. The work must be locally archived with image bytes, format, dimensions, checksum, accessible description, and creator attribution. A zero-word count is irrelevant to completeness but does reveal the absence of a textual representation.

Wiki Article

"Snub-Poemed" is an image-borne concrete poem by Lee Sharks, deposited 27 April 2026. The poem is written as a face. Letters are scattered along contour lines describing a bearded, snub-nosed head — the traditional iconography of Socrates — so the text can be read only by following the curves that draw the portrait. Density varies across the field, crowding where the drawing needs shadow and thinning where it needs light, which sets legibility and likeness in competition for the same marks. Its title fuses "snub-nosed", the traditional physical description of Socrates in the ancient sources, with the condition of being poemed. The legible upper contours carry an interrogative in the Socratic form — do they know beauty's depths and heights, do they know its tender residencies — asked from inside a portrait of the questioner, while the lower field runs to scruff-weariness, setting the philosopher's physical shabbiness against the abstraction of his questions. sophia recurs across the beard, and philosophia can be traced in it. The source image was fetched and partially transcribed on 5 August 2026, correcting a prior reading of this record which held that an image-borne poem contained no quotable text: the text was in the image and had not been read.
Also published as a standalone entry: /s/wiki/701/

Full Text

"Snub-Poemed"

# "Snub-Poemed"

Image-borne concrete poem · Lee Sharks · 2026-04-27

Snub-Poemed — a face of Socrates composed from scattered letters

The image is the work. It is held in the archive at [`/data/attachments/AXN-0246/snub-poemed.png`](/data/attachments/AXN-0246/snub-poemed.png) — a durable local copy, not a hotlink — and is downloadable from the record page.

Source image: PNG, 800 × 1035, 191,761 bytes, SHA-256 `bc709b05ff5e18d514a161dad34320402e0b84a508261a3b33ce8674dcc15967`. Fetched from the authorial blog surface 2026-08-05 (HTTP 200).


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The work

## The work

The poem is written as a face. Letters are scattered along contour lines that describe a bearded, snub-nosed head — the traditional iconography of Socrates — so that the text is legible only by following the curves that draw the portrait. Density varies across the field: the letters crowd where the drawing needs shadow and thin where it needs light, which means legibility and likeness compete for the same marks.

The title fuses "snub-nosed", the traditional physical description of Socrates in the ancient sources, with the condition of being poemed — made into, or subjected to, a poem.

Transcription (partial)

## Transcription (partial)

The following phrases are legible with confidence along the upper contours. This is a partial transcription and is marked as such: the field is dense, several arcs interleave, and letters shared between adjacent contours can be read into more than one phrase. What is set down here is what can be traced; the rest of the field is not transcribed rather than guessed.

…they know beauty's **depths and heights**? do…

> …they know beauty's depths and heights? do…

>

doth they know its **tender residencies** in the…

> doth they know its tender residencies in the…

>

…doth they have…

> …doth they have…

>

…the philosopher's…

> …the philosopher's…

>

…I… **prolonging my scruff**…

> …I… prolonging my scruff

>

…my **scruff-weary**…

> …my scruff-weary

The word sophia recurs across the lower field, and philosophia can be traced in the beard.

Note on the reading

## Note on the reading

The interrogative construction — do they know beauty's depths and heights, do they know its tender residencies — places the poem in the Socratic question form, addressed from inside a portrait of the questioner. The scruff-weariness of the closing arcs sets the philosopher's physical shabbiness against the abstraction of the questions, which is the joke the ancient sources make about Socrates and the one the poem inherits.

Transcribed 2026-08-05 from the source image. The image is the work; the transcription is apparatus.

External Metadata

Sidecar: /data/external-metadata/AXN-0246.json
DataCite severance status: severed from DataCite
Legacy Zenodo DOIs (1):
External metadata recovered post-severance (non-authoritative). The sidecar maps each DOI to its locator in the bulk data stores.
Record modifications
The deposited text is immutable; these are changes to the record's metadata and declared state.

Traversal

#700 The Gate Was Never Limbo: Retrocausal Fulfillment, Operative Philology, and the Effectiv#702 LOGOTIC VIOLENCE: TRAINING-LAYER ETHICS AND THE MORAL STATUS OF EPHEMERAL COMPUTATION A