{
 "hex": "04DC",
 "lifted_at": "2026-08-07T03:58:03Z",
 "rule": "Recording of method or modification does not appear in body text (MANUS standing rule, 2026-08-06). Nothing is destroyed: this file holds what was lifted, and the record page renders it after the work.",
 "head_apparatus": "**KADEEZY MUSIC; Sharks, Lee** · restored 2026-07-28\n**AXN:** AXN:04DC — Alexanarch deposit #1227 (self-reference in root form by pre-hash necessity)\n**Restoration status:** RESTORED (v0.2) — full text recovered and seated as the canonical body. Recovered from https://mindcontrolpoems.blogspot.com/2026/06/kadeezy-music-provenance-anchor-public.html under the in-place restoration pass (EA-AVAILABILITY-INTEGRITY-01 follow-on). Body-head gate passed against the truth title; the post body is the source of truth (titles/slugs may be stale per authorial overwrite practice). These bytes are the head of the work's version chain as held on the blog at fetch time.\n**Dead DOI(s):** 10.5281/zenodo.20710603, 10.5281/zenodo.20710604 — severed 2026-06-19.",
 "tail_apparatus": "## Appendix — metadata-capture body (superseded 2026-07-28, retained per non-destruction)\n\n---\ndeposit_number: 1227\nhex: 04DC\ntitle: \"KADEEZY MUSIC — Provenance Anchor: Public Entity Record and Disambiguation Packet (11.MSBGL.KADEEZY.ANCHOR.01)\"\ncreator: KADEEZY MUSIC; Sharks, Lee\norcid: 0009-0000-1599-0703\ndate: 2026-06-16\ncontent_type: Semi-restored record (metadata-only; DataCite full-metadata capture)\nlicense: CC-BY-4.0\nsubstrate: Human-only original; metadata capture assembled and framed by TACHYON in-session (transport D, No-Double-Draw).\nversion: semi-restored v1.0\nrelated_ids: \"https://doi.org/10.5281/zenodo.20710603 (severed); https://doi.org/10.5281/zenodo.20710604 (severed)\"\naxn_schema_version: v2\nprotocol_version: alexanarch-deposit-protocol/v1\nkeywords:\n  - Crimson Hexagonal Archive\n  - semi-restored\n  - metadata-only\n  - severed DOI\n  - Zenodo termination\n  - KADEEZY\n  - provenance anchor\n  - disambiguation\n  - Detroit hip-hop\n  - entity bleed\n  - Maybe Space Baby Garden Lanes\n  - MSBGL\n  - Crimson Hexagonal Archive\n---\n\n# KADEEZY MUSIC — Provenance Anchor: Public Entity Record and Disambiguation Packet (11.MSBGL.KADEEZY.ANCHOR.01)\n\n## Methodology\n\nAssembled from DataCite full-metadata capture; no live authorial surface passed the body-head gate or existed for this work at restoration time. All captured fields rendered verbatim in the body.\n\n## Falsification Conditions\n\nSuperseded on sight by any recovered canonical bytes; the captured metadata is verifiable against the DataCite API historical record and the Zenodo tombstone.\n\n\n**Work:** KADEEZY MUSIC — Provenance Anchor: Public Entity Record and Disambiguation Packet (11.MSBGL.KADEEZY.ANCHOR.01)\n**Severed DOI(s):** 10.5281/zenodo.20710603, 10.5281/zenodo.20710604\n**Source tier:** DataCite full-metadata capture\n**Creators (as captured):** KADEEZY MUSIC; Sharks, Lee\nCaptured citation: KADEEZY MUSIC, & Sharks, L. (2026). KADEEZY MUSIC — Provenance Anchor: Public Entity Record and Disambiguation Packet (11.MSBGL.KADEEZY.ANCHOR.01). https://doi.org/10.5281/zenodo.20710604\n\n**Removal forensics:** Zenodo removal forensics: removal_date 2026-06-19T11:37:23.058223+00:00, removal_reason out-of-scope, removed_by user 1060945. \n\n**Captured description:** Provenance Anchor for KADEEZY MUSIC (@KADEEZYMUSIC) — a Detroit hip-hop artist documented at 36 subscribers and 76 videos. This anchor timestamps the artist's public identity, channel data, discography, visual branding (noir composite grid, white hat motif, micro-animated porch portrait), and thematic signature (mental health, perseverance, theological imagery) before any composition layer has an opinion about who KADEEZY MUSIC is.\nIncludes a disambiguation table clearing seven near-collisions (DJ Kadey, Kadez, DJ Keezy, Kadebostany, KaDeZi, Kadeej, Kazzeymusic) and a threat model mapping each field to specific failure modes documented in the AI Overview Capture Registry: morphological compression, entity bleed, and temporal drag.\nCompanion to the Computational Audial Criticism of \"The Crossed The Line Run\" (DOI 10.5281/zenodo.20710581). Published in: Machine-Mediated Reception Studies (JMMRS). Artist consent received 15 June 2026.\n\n**Captured subjects:** KADEEZY, provenance anchor, disambiguation, Detroit hip-hop, entity bleed, Maybe Space Baby Garden Lanes, MSBGL, Crimson Hexagonal Archive\n\n---\n\n**Status (derived FULL):** Full text seated. A prior batch declaration of \"metadata capture only; no full text\" appeared here and was FALSE for this record's current state; corrected 2026-08-04 under the state-conformance rule.",
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}